Avraham gileadi, boise talk about comparing visions of glory and isaiah
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For example, in an account that plays on the nuances of Hebrew terms for standing, we read: 18īefore the sin, Adam could “hear God speaking and stand on his legs… he could withstand it.” 19 … In another midrash, God says, “Woe Adam! Could you not stand in your commandment for even one hour? Significantly, Jewish writings tell of how Adam lost the divine ability to stand through his taking of the fruit of the Tree of Knowledge. Whitlock, 1951–: Tree Near British Camp, Malvern Hills, Worcestershire, England, 2009. 11 Likewise, scripture and pseudepigrapha describe how prophets such as Enoch, 12 Abraham, 13 Daniel, 14 Ezra, 15 and John 16 are grasped by the hand of an angel and raised to a standing position in key moments of their heavenly visions. 10 Another Christian scene shows God taking Adam by the wrist as he and Eve receive the commandment not to partake of the Tree of Knowledge. For example, a depiction at the Church of San Marco in Venice shows God taking Adam by the wrist to bring him through the door of Paradise and to introduce him into the Garden of Eden. More generally, in Christian iconography this gesture is used in scenes representing a transition from one state or place to another.
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8 Similarly, we note the Old Testament literary formula that nearly always follows descriptions of miraculous revivals from figurative or literal death with the observation that they “stood up upon their feet.” 9 Medieval artistic convention makes it clear that Christ was imagined by at least some Christians as raising the dead to eternal life by the same gesture that was used to create Adam and stand him on his feet in Ghiberti’s sculpture. The Harrowing of Hell from the Exultet Roll: Codex Barberini Latinus 592.
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In contrast to cattle, which Rashi said “do not stand to be judged” 3 (in other words, are not held accountable for their actions 4), Jewish accounts of Adam’s creation specifically highlight his first experience after being filled with the breath of life: 5 namely, the moment when God “stood him on his legs.” 6 According to Avivah Zornberg, it is in the ability to stand in the presence of God that one specifically demonstrates the attainment of full “majesty and strength.” 7 Figure 2. God took dust from the place of wish that gain atonement, and that he may be able to stand. 1 In Rashi’s commentary on Genesis 2:7, the revered Jewish exegete connects the themes of creation and atonement to the idea of standing in God’s presence: 2 Though most readers will be much more familiar with the well-known masterpiece of Michelangelo showing Adam’s creation being effected by the fleetingly light touch of the index fingers of God and the reclining Adam, the version of the scene executed by Lorenzo Ghiberti above, which includes a firm handclasp whereby the Lord can raise Adam up on his feet, is more faithful to ancient Jewish and Christian tradition.